Jorge Alderete (born 1971), also known as Dr. Alderete, is an Argentine illustrator, animator, editor and owner of several businesses, best known for his comic book and kitsch aesthetic in his work. Most of Alderete’s career has evolved in Mexico, where he came in 1998 and with the exception of a year in Spain, has since stayed, living and worked from his apartment in Colonia Roma in Mexico.
Registered Trademark 2002 [T-26] Chicago www.t26.com 773.862.1201 T0836 ID#5121723 designer: Jorge Alderete
- Univers LT W01 75 Black ObliqueStyle
Regular
CompanyMonotype GmbH
TrademarkUnivers is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
CopyrightCopyright 2014 Monotype GmbH. All rights reserved.
LicenseThis font software is the property of Monotype Imaging Inc., or one of its affiliated entities (collectively, Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype here: www.monotype.com
- Museo Sans Cyrl W03 700Style
Regular
CompanyJos Buivenga
TrademarkMuseo Sans is a trademark of Jos Buivenga.
CopyrightCopyright (c) 2012 by Jos Buivenga. All rights reserved.
- Raslani Hip HopStyle : RegularStyle
Regular
AuthorRaslani
DescriptionThis font was created using FontCreator 5.6 from High-Logic.com
- Rocky Mountain Spotted Fever V2Style
Regular
CompanyUnAuthorized Type
Trademarkhttp://www.latech.edu/~bmcgehee/untype/index.htm
DescriptionThis version includes upper and lowercase letters, punctuation, and many international characters. I also included some new UA Type dingbats (just to amuse myself, and so you don't get those annoying boxes when you type something that isn't in the font).Fonts can get sick, just like people. This one was taking vacation in the Rockies, going to do some camping and hinking, and caught this disease. The spots gave it great pain, and it was jumping all around. I used my special font medicine to kill all the germs, but it was left distorted and still jumpy.
LicenseYou use this font in any way that you see fit. If you distribute it, I would like for the readme text file to accompany it. (That's just so they know who made it.) You may distribute it on CD, disk, or any other medium, but you may not sell it.
- Primus W00 Bold ItalicStyle
Regular
CompanyCeyhun Birinci
TrademarkPrimus Regular is a trademark of Ceyhun Birinci.
CopyrightCopyright (c) 2012 by Ceyhun Birinci. All rights reserved.
- Give You GloryStyle : RegularStyle
Regular
CompanyKimberly Geswein
CopyrightCopyright (c) 2010 by Kimberly Geswein. All rights reserved.
DescriptionCopyright (c) 2010 by Kimberly Geswein. All rights reserved.
LicenseFree for personal use. Commercial use requires a one-time US5 paypal payment to [email protected]
- Caxton W01 LightStyle
Regular
CompanyInternational Typeface Corporation
TrademarkCaxton is a trademark of Esselte Pendaflex Corporation in the U.S.A., of Letraset Canada Ltd. in Canada and of Esselte Letraset Ltd. elsewhere.
CopyrightCopyright 1990, 2001 Adobe Systems Incorporated. All Rights Reserved.
LicenseNOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of International Typeface Corporation (ITC) and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from ITC or together with software distributed by one of the licencees of ITC.This software is a valuable asset of ITC. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact ITC for a copy of the license agreement.General information:www.itcfonts.comFor license terms and usage rights, please visit our web site at:www.itcfonts.com/license
- Crazysk8Style
Regular
CopyrightTypeface (your company). 2006. All Rights Reserved
DescriptionThis font was created using FontCreator 5.5 from High-Logic.com
Ones | ||||
---|---|---|---|---|
Greatest hits album by | ||||
Released | October 1, 2002 | |||
Recorded | 1990–1995 | |||
Genre | Latin pop | |||
Length | 74:01 | |||
Label | EMI Latin | |||
Producer | A.B. Quintanilla III, Kike Santander, José Luis Arroyave, Jorge Alberto Pino, Sergio Minski, Guillermo J. Page, Andrés Felipe Silva | |||
Selena chronology | ||||
| ||||
Singles from Ones | ||||
|
Ones (Spanish: Unos) is a compilation album by American singer Selena, released in the United States on October 1, 2002 by EMI Latin. It was released on November 11, 2002 in Spanish-speaking countries, while the limited edition included a bonus DVD of her music videos. Ones was released building on the popularity of the 1997 biographical film Selena. The album was aimed at Selena's new generation of fans, and its released marked the singer's twentieth year in the music industry. Ones features six number one singles namely, 'Amor Prohibido', 'Bidi Bidi Bom Bom', 'No Me Queda Más', 'Fotos y Recuerdos', and her duets with Álvaro Torres on 'Buenos Amigos' and the Barrio Boyzz on 'Donde Quiera Que Estés'.
Selena's brother, A.B. Quintanilla, remixed three of her singles ('Amor Prohibido', 'Como la Flor' and 'Si Una Vez') into a medleymash-up entitled 'Con Tanto Amor Medley', the same tracks found on the album. Ones received a positive reception among music critics, while Jon O'Brien of AllMusic noticed that the record label ignored Selena's self-titled debut album. The recording peaked at number two on the US BillboardTop Latin Albums and number one on the Latin Pop Albums charts. Ones peaked at number 159 on the Billboard 200 chart and was certified 18× platinum by the Recording Industry Association of America (RIAA), signifying 1,080,000 album-equivalent units sold in the United States.
- 6Charts
Background and release[edit]
On March 31, 1995, American Tejano music singer Selena was shot and killed by Yolanda Saldívar, her friend and former manager of her boutiques.[1] The impact of the singer's death had a negative impact on Latin music, her genre—which she catapulted it into the mainstream market—suffered and its popularity waned following Selena's death.[2][3][4] Following her death, the singer's commodity grew, as interest in Selena sparked a buying frenzy among Hispanic and Latino Americans.[5] The singer's father and manager, Abraham Quintanilla, Jr. was forced to release Selena (1997), a biopic on Selena's life and career, after two major film production companies were in the process of making their own films about Selena without the consent of the singer's family.[6] The film's release introduced a new generation of fans and inspired her family to release a compilation album containing the singer's most popular songs.[7][8] In an interview with Julie Chen, her family explained their intentions on releasing Ones as way to showcase who Selena was as a singer and a performer. They included a bonus DVD of Selena's music videos for those who never saw her in person.[7][8]
The album was released as part of the singer's 20th anniversary in the music industry.[9] EMI Latin re-released Selena's previous works, which were remastered and included bonus tracks, music videos, and spoken liner notes containing commentary and recollections from the singer's family, friends, and her band.[10]Ones was released on October 1, 2002 by EMI Latin, while Unos was released in Spanish-speaking countries.[11]
Songs[edit]
'Con Tanto Amor Medley' is a medleymashup of 'Amor Prohibido', 'Si Una Vez' and 'Como la Flor'. The recording features acoustic guitar and strings, as noted by music critics. | |
Problems playing this file? See media help. |
The singer's self-titled debut album was excluded from the tracklisting. The first of Selena's number ones to be featured on the album was her duet with Álvaro Torres on 'Buenos Amigos'.[12] The song became the singer's first number one single in her career when it peaked at number one on the US BillboardHot Latin Songs chart in June 1991.[12] Two other songs were included from her second studio album Ven Conmigo (1990), of them were 'No Quiero Saber' and 'Baila Esta Cumbia'. 'Como la Flor', which became a career-launching single and the singer's signature song,[13][14] was included on Ones, and together with 'La Carcacha' were taken from Entre a Mi Mundo (1992). The singles from Selena's 1993 release Live!, made an appearance on the album as well. 'No Debes Jugar', the lead single from Live!, was praised by critics for its distinguishable cumbia music sounds that ultimately became her trademark.[15][16] The second single from Live!, 'La Llamada', provided Selena her fourth top ten single.[12]
Tracks from Selena's fourth studio album Amor Prohibido (1994), made up most of the tracklisting on Ones. The title track 'Amor Prohibido' sampled the cencerro, which was intended by the singer's brother and record producer A.B. Quintanilla, to attract people of different ethnicities to Selena's music.[17] 'Bidi Bidi Bom Bom' became a popular song among the singer's younger fans,[18] while posthumous reviews cited the song's catchiness and noted a sense of conviviality in the song.[19][20][21] 'No Me Queda Más', the third recording off of Amor Prohibido, was praised for the singer's vocal interpretations and her ability to tackle such a song reserved for established musicians twice her age.[22] Another song from Amor Prohibido, 'Fotos y Recuerdos', which sampled the Pretenders' 1983 single 'Back on the Chain Gang', peaked at number one following Selena's death in April 1995.[12] Other songs from Amor Prohibido including 'El Chico del Apartamento 512', 'Techno Cumbia', and 'Si Una Vez', were included on Ones. Selena's duet with the Barrio Boyzz on their 1994 single 'Donde Quiera Que Estés' is also featured on Ones, the track topped the Hot Latin Songs chart for six consecutive weeks.[12] The singles 'Tú Sólo Tú', 'Siempre Hace Frio', 'I Could Fall in Love', and 'Dreaming of You', were released posthumously and were added to Ones. The latter two were shelved tracks intended for the Don Juan DeMarco (1995) soundtrack in which Selena made a cameo appearance.[23] 'I Could Fall in Love' and 'Dreaming of You' were the only songs featured on Ones from the singer's intended crossover album Dreaming of You (1995).
Reception and chart performance[edit]
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic[24] | (mixed) |
San Antonio Express News[25] | (favorable) |
The album was met with positive reviews from music critics. Ramiro Burr of the San Antonio Express-News compared Ones to the greatest hits releases of Buddy Holly, Janis Joplin and Jimi Hendrix.[25] Jon O'Brien of AllMusic noticed that the company intentionally wanted to focus on Selena's career between 1990 and 1995, ignoring her 1989 debut album.[24] The iTunes editorial team found Ones as a showcase of the singer's versatile soprano voice that inspires one to dance or be brought with emotion.[26] They noted a sense of intonation, 'spine-chilling' vibrato, and coherency throughout the album.[26] Jessica Roiz of Billboard found Ones to have contained several of the singer's most popular singles. Roiz listed several songs included in Ones on her list of songs recorded by Selena that are meant to help those who are going through a breakup.[27]Ones was marketed through TV advertisements as a replacement to Selena's previous works, which were removed from distribution.[9] The album's release coincided with VH1's Behind the Music episode of Selena, which first aired on October 2, 2002.[9]
Ones debuted at number four on the US BillboardTop Latin Albums and Latin Pop Albums chart on the week ending October 19, 2002, the highest-debuting album that week.[28] The album debuted at number 162 on the Billboard 200 chart,[28] before peaking at number 159 on the week ending November 9, 2002.[29] In a year-end report compiled by Nielsen SoundScan, Ones was named with other Latin music albums, to have end the slight decline in Latin music sales that plagued the United States in the first and second quarters of 2002.[30] The recording was nominated for the Latin Greatest Hits Album of the Year at the 2003 Billboard Latin Music Awards.[31]Ones ended 2003 as the 13th best-selling Latin album and ninth best-selling Latin pop album of the year.[32]Ones reentered the Top Latin Albums chart the week of February 7, 2004 at number 74 before slipping off and reentering the chart the week of March 13 at number 65.[33][34] On the chart's April 17, 2004 list, Ones rose to number 11, receiving the highest percentage gains for an album that week, which was followed by the singer's ninth anniversary of her death.[35] The album remained on the chart until May 29, 2004.[36]Ones was removed from Billboard's Top Latin Albums and Latin Pop Albums chart and began charting on the Top Latin Catalog Albums chart. On the April 19, 2009 chart, Ones rose 51-percent in sales and climbed 61-percent to number three on the Top Latin Catalog Albums chart, which was followed by the singer's 14th anniversary of her death.[37]Ones ended up as the 88th best-selling Latin album of the 2000s decade.[38]
On October 14, 2016, Ones was released on a limited edition purple double discvinyl.[39] The limited edition helped Ones debut and peak at number 70 on the Top Album Sales and number four on the Vinyl Albums chart.[40][41]Ones also debuted on the Top Pop Catalog Albums chart, peaking at number seven.[41] Following another revision to its Latin albums charts, Billboard removed its two-decade-long ban of catalog albums in its chart beginning with the February 11, 2017 list; Ones re-entered the Top Latin Albums and Latin Pop Albums chart after 15 years.[42][43][44] After its revision, Ones claimed the number one position on the Latin Pop Albums chart within three weeks, dethroning CNCO's Primera Cita (2016).[45] The album remained atop the Latin Pop Albums chart for six consecutive weeks and was displaced by Alejandro Fernandez' album Rompiendo Fronteras (2017) on April 8, 2017.[46] Before its revision, Nielsen SoundScan reported that Ones sold 25,000 units in 2016; the seventh best-selling Latin album of the year, Ones was the best-selling Latin album by a woman in 2016.[47] In 2017's mid-year report, Ones sold 42,000 album-equivalent units, while 13,000 were pure album sales, ranking as the seventh best-selling Latin album.[48] In 2018's mid-year report, Ones sold 8,000 units and ranked as the tenth best-selling Latin album.[49] On July 12, 2018, Ones reached number one on iTunes' Latin Albums chart, out-selling living musicians recent releases including Maluma's F.A.M.E. (2018), J Balvin's Vibras (2018), Ozuna's Odisea (2017), and Shakira's El Dorado (2017).[27] The event was celebrated on the singer's official Facebook page while Billboard noticed that the album had reached its 140th week on their Top Latin Albums chart.[27]Ones was certified platinum by the Recording Industry Association of America (RIAA) in February 2003, signifying that 100,000 units had been shipped in the United States.[50] In November 2017 the RIAA recertified the album 18× platinum in the Latin field, denoting 1,080,000 album-equivalent units sold in the United States.[51]
Track listing[edit]
Disc one | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
1. | 'No Quiero Saber' | A.B. Quintanilla, Pete Astudillo | 02:56 |
2. | 'Baila Esta Cumbia' | A.B., Astudillo | 02:58 |
3. | 'Como la Flor' | Selena Quintanilla, A.B., Astudillo, Ricky Vela | 03:05 |
4. | 'La Carcacha' | A.B., Astudillo | 04:11 |
5. | 'Buenos Amigos' (featuring Álvaro Torres) | Torres | 04:47 |
6. | 'No Debes Jugar' | A.B., Vela | 02:51 |
7. | 'La Llamada' | A.B., Astudillo | 03:13 |
8. | 'Amor Prohibido' | Selena, A.B., Astudillo | 02:50 |
9. | 'No Me Queda Más' | Vela | 03:20 |
10. | 'Fotos y Recuerdos' | Chrissie Hynde, Vela | 02:36 |
11. | 'El Chico del Apartamento 512' | A.B., Vela | 03:29 |
12. | 'Bidi Bidi Bom Bom' | Selena, Astudillo | 03:30 |
13. | 'Techno Cumbia' | A.B., Astudillo | 03:47 |
14. | 'Si Una Vez' | A.B., Astudillo | 02:46 |
15. | 'Donde Quiera Que Estés' (featuring the Barrio Boyzz) | K. C. Porter, Miguel Flores | 04:29 |
16. | 'Tú Sólo Tú' | Felipe Valdés Leal | 03:15 |
17. | 'Siempre Hace Frio' | Cuco Sánchez | 03:16 |
18. | 'I Could Fall in Love' | Keith Thomas | 04:39 |
19. | 'Dreaming of You' | Franne Golde, Tom Snow | 05:14 |
20. | 'Con Tanto Amor Medley' (previously unreleased) | Selena, A.B., Astudillo | 07:07 |
Disc two (DVD) | |||
---|---|---|---|
No. | Title | Writer(s) | Length |
1. | 'No Quiero Saber' | A.B., Astudillo | 03:38 |
2. | 'La Carcacha' | A.B., Astudillo | 03:40 |
3. | 'Buenos Amigos' | Torres | 04:46 |
4. | 'La Llamada' | A.B., Astudillo | 03:12 |
5. | 'Amor Prohibido' | Selena, A.B., Astudillo | 02:53 |
6. | 'No Me Queda Más' | Vela | 04:13 |
7. | 'Bidi Bidi Bom Bom' | Selena, Astudillo | 03:29 |
8. | 'Techno Cumbia' | A.B., Astudillo | 03:55 |
9. | 'Donde Quiera Que Estes' | Porter, Flores | 04:26 |
10. | 'Tú, Sólo Tú' | Valdés Leal | 03:16 |
11. | 'Siempre Hace Frio' | Sánchez | 03:08 |
12. | 'I Could Fall in Love' | Thomas | 04:29 |
13. | 'Dreaming of You' | Golde, Snow | 04:24 |
Personnel[edit]
Credits are taken from the album's liner notes.[11]
|
|
Charts[edit]
Weekly charts[edit]
Year-end charts[edit]
| Quarterly charts[edit]
Decade-end charts[edit]
|
Certifications[edit]
Region | Certification | Certified units/Sales |
---|---|---|
United States (RIAA)[51] | 18× Platinum (Latin) | 1,080,000 |
sales+streaming figures based on certification alone |
See also[edit]
References[edit]
- ^Verhovek 1995, p. 1.
- ^Untiedt 2013, p. 127.
- ^Schone 1995, p. 3.
- ^Shaw 2005, p. 50.
- ^Patoski 1996, p. 211.
- ^Quintanilla 2007.
- ^ abChen 2002.
- ^ abMorales 2002.
- ^ abcCobo 2002, p. 8.
- ^Lannert 2002, p. 20.
- ^ abQuintanilla 2002.
- ^ abcdeAnon. & n.d. (b).
- ^Malone 2003, p. 158.
- ^Tarradell 1997.
- ^Jacobs 1995, p. 61.
- ^Anon. 1995.
- ^Lopetegui 2013.
- ^Arrarás 1997, p. 50.
- ^Pressley 1995.
- ^Catlin 1995.
- ^Mitchell 2015.
- ^Holston 1994, p. 90.
- ^Cole & Farley 1995, p. 2.
- ^ abO'Brien 2002.
- ^ abBurr 2005.
- ^ abAnon. & n.d. (a).
- ^ abcRoiz 2018.
- ^ abAnon. & 2002 (a), p. 48, 63.
- ^ abAnon. & 2002 (b), p. 71.
- ^Cobo 2002, p. 3.
- ^Anon. & 2003 (a), p. 20.
- ^ abcAnon. & 2003 (b), p. 34.
- ^Anon. & 2004 (a), p. 31.
- ^Anon. & 2004 (b), p. 53.
- ^Anon. & 2004 (c), p. 29.
- ^Anon. & 2004 (d), p. 37.
- ^Anon. & 2009 (a), p. 43.
- ^ abAnon. & 2009 (b).
- ^Molina 2016.
- ^ abAnon. & 2016 (a).
- ^ abcAnon. & 2016 (b).
- ^Mendizabal 2017.
- ^Anon. & 2017 (a).
- ^Anon. & 2017 (b).
- ^ abAnon. & 2017 (c).
- ^Anon. & 2017 (d).
- ^Cobo 2016.
- ^Caulfield 2017.
- ^Caulfield 2018.
- ^Anon. 2003, p. 34.
- ^ abAnon. & n.d. (c).
- ^Anon. & 2016 (c).
- ^Anon. & n.d. (d).
- ^Anon. & 2017 (e).
- ^Anon. & 2017 (f).
- ^Anon. & 2003 (b), p. 32.
- ^Anon. & 2003 (c), p. 34.
Works cited[edit]
- 'Ones by Selena on Apple Music'. iTunes. Retrieved July 12, 2018.
- 'Selena > Chart history > Hot Latin Songs'. Billboard. Retrieved July 14, 2018.
- 'RIAA Gold & Platinum'. RIAA.com. Archived from the original on August 20, 2016. Retrieved August 19, 2016.
- 'Selena > Chart history > Top Latin Albums'. Billboard. Retrieved July 14, 2018.
- 'A life cut short, potential unmet'. Fort Worth Star Telegram. April 7, 1995. Retrieved June 21, 2012.
- 'Top Latin Albums > 19 October 2002'. Billboard. 114 (42). October 19, 2002. Retrieved April 30, 2013.
- 'Top Latin Albums > 9 November 2002'. Billboard. 114 (45). November 9, 2002. Retrieved April 30, 2013.
- 'Billboard Latin Music Awards Finalist'. Billboard. 115 (8). February 22, 2003. Retrieved April 30, 2013.
- 'Rapping up the Charts'. Billboard. 115 (25). June 21, 2003. Retrieved July 14, 2018.
- 'Chart Recaps'. Billboard. 115 (34). August 23, 2003. Retrieved April 30, 2013.
- 'Top Latin Albums > 7 February 2004'. Billboard. 116 (6). February 7, 2004. Retrieved April 30, 2013.
- 'Top Latin Albums > 13 March 2004'. Billboard. 116 (11). March 13, 2004. Retrieved April 30, 2013.
- 'Top Latin Albums > 17 April 2004'. Billboard. 116 (16). April 17, 2004. Retrieved April 30, 2013.
- 'Chart Tastemakers'. Billboard. 116 (22). May 29, 2004. Retrieved April 30, 2013.
- 'Top Latin Catalog Albums > 18 April 2009'. Billboard. 121 (15). April 18, 2009. Retrieved April 30, 2013.
- 'Top Album Sales > November 5, 2016'. Billboard. Retrieved July 14, 2018.
- 'Vinyl Albums > November 5, 2016'. Billboard. Retrieved July 14, 2018.
- 'Catalog Albums > November 5, 2016'. Billboard. Retrieved July 14, 2018.
- 'Top Latin Albums > February 11, 2017'. Billboard. Retrieved May 12, 2017.
- 'Latin Pop Albums > February 11, 2017'. Billboard. Retrieved May 12, 2017.
- 'Latin Pop Albums > February 25, 2017'. Billboard. Retrieved May 12, 2017.
- 'Latin Pop Albums > April 8, 2017'. Billboard. Retrieved May 12, 2017.
- 'Year-end Charts > Top Latin Albums > 2017'. Billboard. Retrieved July 14, 2018.
- 'Year-end Charts > :atin Pop Albums > 2017'. Billboard. Retrieved July 14, 2018.
- 'Decade-end charts 2000s: Top Latin Albums'. Billboard. December 31, 2009. Retrieved May 11, 2017.
- 'Year-end charts > 2003'. Billboard. 115 (52). December 27, 2003. Retrieved April 30, 2013.
- Cobo, Leila (August 17, 2002). 'EMI Fuels Selena Legacy With Re-Issues'. Billboard. 114 (33). Retrieved July 12, 2018.
- Burr, Ramiro (March 31, 2005). 'Selena Library'. San Antonio Express-News. Retrieved April 30, 2013.
- O'Brien, Jon. 'Ones Review'. AllMusic. Retrieved April 30, 2013.
- 'Billboard Latin Music Awards Finalist'. Billboard. 115 (8). February 22, 2003. Retrieved April 30, 2013.
- Cobo, Leila (December 28, 2002). 'The Year in Latin'. Billboard. 114 (52). Retrieved July 14, 2018.
- Roiz, Jessica. '5 Selena Quintanilla Songs to Heal a Broken Heart'. Billboard. Retrieved July 14, 2018.
- Malone, Bill C. (2003). Southern Music/American Music. Lexington, KY: University Press of Kentucky. ISBN0-8131-2635-5.
- Tarradell, Mario (March 16, 1997). 'Selena's Power: Culture Fusion'. The Dallas Morning News. Retrieved November 18, 2011.
- Lopetegui, Enrique (November 5, 2013). 'Cumbia: How Colombia made Selena a star'. San Antonio Current. Retrieved August 14, 2015.
- Mitchell, Andrew (April 21, 2015). 'Editorial: How to grow this city, not just economically'. Corpus Christi Caller Times. Retrieved September 20, 2015.
- Pressley, Sue Anne (October 12, 1995). 'Defense Points to Role of Selena's Father in Dispute'. Washington Post. Retrieved April 14, 2016.
- Catlin, Roger (July 22, 1995). 'Singer Selena Missed Her Dream of Crossover Success'. Hartford Courant. Retrieved April 14, 2016.
- Holston, Mark (September 1994). 'Reviews: Music'. Hispanic. 7 (8): 90. ISSN0898-3097.
- Cole, Patrick E.; Farley, Christopher John (July 10, 1995). 'Old Rock, New Life — Page 2'. Time. Time Inc. Retrieved May 12, 2011.
- Chen, Julie (October 17, 2002). The Early Show. 5 minutes in. CBS.
- Morales, Tatiana (October 16, 2002). 'Fans, Family Remember Selena'. CBS. CBS Interactive Inc. Retrieved April 30, 2013.
- Lannert, John (October 19, 2002). 'Spanish Notas'. Billboard. 42. Retrieved April 30, 2013.
- Ones (Compact disc). Selena. EMI Latin. 2002. 724358022100.CS1 maint: others (link)
- Jacobs, Sally (October 19, 1995). 'The canonization of Selena The slain Tejano singer looms larger than life as her alleged killer stands trial'. Boston Globe. Retrieved June 21, 2012.
- Arrarás, María Celeste (1997). Selena's Secret: The Revealing Story Behind Her Tragic Death. Simon and Schuster. ISBN0-684-83193-7.
- Mendizabal, Amaya (January 31, 2017). 'Maluma Achieves Rare Feat: Nos. 1 & 2 on Latin Airplay Chart'. Billboard. Archived from the original on April 4, 2018. Retrieved May 12, 2017.
- 'What Happened in Latin Music In 2016? Consumption Up, Market Divided'. Billboard. January 6, 2017. Archived from the original on April 4, 2018. Retrieved May 12, 2017.
- Caulfield, Keith (July 12, 2017). 'Luis Fonsi & Daddy Yankee's 'Despacito,' Shakira's 'El Dorado' Rule Nielsen Music's Mid-Year 2017 Latin Charts'. Billboard. Archived from the original on April 4, 2018. Retrieved July 24, 2017.
- Schone, Mark (April 20, 1995). 'A Postmortem Star In death, Selena is a crossover success'. Newsday. Retrieved November 4, 2011.
- Shaw, Lisa (2005). Pop Culture Latin America!: Media, Arts, and Lifestyle. ABC-CLIO. ISBN1-85109-504-7.
- Verhovek, Sam Howe (April 1, 1995). 'Grammy-Winning Singer Selena Killed in Shooting at Texas Motel'. The New York Times. p. 1. Archived from the original on August 20, 2016. Retrieved August 18, 2016.
- Patoski, Joe Nick (1996). Selena: Como La Flor. Boston: Little Brown and Company. ISBN0-316-69378-2.
- Untiedt, Kenneth L. (2013). Cowboys, Cops, Killers, and Ghosts: Legends and Lore in Texas. University of North Texas Press. ISBN1-57441-532-8.
- Abraham Quintanilla, Jr., A.B. Quintanilla, Suzette Quintanilla, Jennifer Lopez, Edward James Olmos (2007). The Making of Selena: 10 Years Later(DVD)
|format=
requires|url=
(help). Corpus Christi, Texas: Warner Bros. Event occurs at 30. - Molina, Jessica. 'Selena Quintanilla's sister showed off the new Selena 'Ones' vinyl and it's dope as hell'. Vivala. Retrieved July 14, 2018.
- Caulfield, Keith. 'Ozuna & J Balvin Loom Large on Nielsen Music's Mid-Year 2018 Latin Charts'. Billboard. Retrieved July 14, 2018.
External links[edit]
- Ones at AllMusic
- Ones at Discogs (list of releases)